Niagara Galleries

Story

Niagara Galleries is a modern and contemporary Australian art gallery. Established in 1978 it moved to its current location at 245 Punt Road, Richmond, Victoria in 1986. The gallery exhibits and sells a broad range of art from painters, sculptors, photographers and ceramicists. The gallery is housed in a Victorian building with an addition by Edmond and Corrigan in postmodern style.DescriptionEdmond and Corrigan's Niagara Galleries is a bold extension protruding from the back of a simple white Victorian terrace. The main mass of the extension is of rectangular shape that sits upon the first floor of the existing building. An angular form that juts out towards the entrance of site breaks up the regular and conservative shape. These pointed forms over hang the boundaries of the existing building creating an interesting corner which would be visible from the street. This upper level of the extension is clad in daring black and white striped COLORBOND, which takes up majority of the façade. This linear pattern is broken up with carefully placed square windows that are highlighted by vibrant yellow frames. This large section of black and white is balanced by the large section of solid and strong red that creates the underneath of the over hang and continues to the new back door entrance that consists of a rectangular box with a set back door.Key influences and design approachThe Niagara Galleries have been compared to RMIT Building 8 and the Victorian College of arts buildings also by Edmond and Corrigan as buildings that 'get know' for their design. Influences for this building are Corrigan's over arching view on architecture, that runs throughout majority if his designs, that successful and exciting architecture needs to be 'difficult'. Within this project this is executed by challenging the conventional urban surroundings by creating a contrasting and out of place design. Corrigan's own interest in art has influenced the way he treated the exterior of the building as he is interested in blurring the lines between what is art and what is architecture. This is why the façade treatment could be viewed as artwork in some opinion. By creating such a vibrant building Corrigan has encouraged conversation between people within the area. He has also been able to reference back to the art history of Sidney Nolan's Ned Kelly 'The Chase' as he placed an abstract version within traditional urban landscape as 'Nolan' did.